Tuesday, October 29, 2019

Egyptian Embroidery Patterns

The original pattern is found on a textile fragment at the Ashmolean Museum in the University of Oxford. The Egyptian linen fragment embroidered with blue and brown silk (circa 10th-15th century) can be found here.

Below is my interpretation of the pattern on the fragment.





Below is my interpretation of the pattern found on a textile fragment with square containing an eight-pointed star at the Ashmolean Museum in the University of Oxford. The Egyptian linen fragment (circa 10th-15th century) is embroidered with blue and white silk. The original fragment can be found here.


Blackwork Embroidery for Beginners Class Handout

Here is paper that I wrote a few years ago for a class that I have taught a few times:
Blackwork Embroidery for Beginners

Please click here to view the paper.



Egyptian Medieval Blackwork Embroidery

Here is a paper written by Mistress Safiya bint Suleiman Al-Mualima, O.L. regarding medieval Egyptian Blackwork embroidery:

https://www.scribd.com/document/118270319/Egyptian-Medieval-Blackwork?fbclid=IwAR0a6SLxvD0Aa3IHG7Pn7RAEEkZb4-SkqEUUvNsss90EPE7135UN46K4K4E

Monday, October 28, 2019

Medieval Egyptian "Blackwork" Embroidery

Interesting and informative! Learn more about medieval Egyptian blackwork embroidery and see some of the patterns.

Check out this link: http://heatherrosejones.com/egyptianblackwork/

Sunday, October 27, 2019

Mamluk Historical Embroidery Patterns

Henry VIII of England's first wife, Catherine of Aragon, was born and raised in Spain. At that time, Spain had been majorly influenced by Moorish geometrical design during the Moorish rule of Spain and Portugal. The Moors were members of the Muslim population. "The Spanish occupation by the Moors began in 711 AD when an African army, under their leader Tariq ibn-Ziyad, crossed the Strait of Gibraltar from northern Africa and invaded the Iberian peninsula 'Andalus'." (15 Things You Did Not Know About the Moors of Spain")

The name Mamluk is Arabic and was used to describe Muslim rulers of slave origin. "By the end of the 9th century, such warrior slaves had become the dominant element in the military." ("Mamluk")
"The Mamluks ruled Egypt and Syria from 1250 until 1517, when their dynasty was extinguished by the Ottomans." (Waterson) The Mamluks were part of the Muslim states.

As the Moors and the Mamluks were both Muslim and originated from northern Africa, I believe it stands to reason that their embroidery patterns are related. This is supported by the fact that the Mamluk items that I have found so far share a resemblance to Moorish designs and geometric blackwork embroidery designs. I have learned that both the Moors and the Mamluks were originally part of the Umayyad Caliphate. "The Umayyads ruled the Islamic world from 661 to 750 C.E." (Szczepanski)


Below are a couple historical examples of Mamluk items and my interpretation of the embroidery patterns.


patterndarnedneckline
(Linen embroidery with pink silk and brown thread circa Mamluk period in the Ashmolean Museum at the University of Oxford)
http://jameelcentre.ashmolean.org/collection/921/per_page/100/offset/0/sort_by/date/category/textiles/object/15983

Pattern:






(Sampler fragment diamond-shapes and chevrons, circa 13th century, in the Ashmolean Museum at the University of Oxford)
http://jameelcentre.ashmolean.org/collection/8/per_page/100/offset/0/sort_by/date/object/10755

Pattern:




Works Cited:

"15 Things You Did Not Know About the Moors of Spain." https://blackhistorystudies.com/resources/resources/15-facts-on-the-moors-in-spain/

"Mamluk." Wikipedia. https://en.wikipedia.org/wiki/Mamluk

 Szczepanski, Kallie. "What Was The Umayyad Caliphate?" 15 January 2018. https://www.thoughtco.com/what-was-the-umayyad-caliphate-195431

Waterson, James. "Who Were the Mamluks?" History Today. 5 September 2018. https://www.historytoday.com/miscellanies/who-were-mamluks

Friday, October 25, 2019

Historical Blackwork Embroidery Patterns

To make some of my previous research more easily accessible, I have put some embroidery patterns in a PDF document.

Click here for some historical blackwork embroidery patterns found on museum pieces.

More Blackwork Embroidery Patterns Found in History

Below is a pattern found on plain weave linen, "embroidered with silk floss in double running stitch" from Egypt, circa 1201-1400 available at the Art Institute of Chicago.


The original fabric can be found at https://www.artic.edu/artworks/8489/border.




Below is a pattern found on linen with silk embroidery from Egypt circa the 14th century, available at Cooper Hewitt Smithsonian Design Museum in New York


The original fabric can be found at https://collection.cooperhewitt.org/objects/18474169/.





Other blackwork items that the Chicago Art Institute has are:

Cushion Cover circa 1575-1600 at https://www.artic.edu/artworks/84737/cushion-cover-made-from-a-woman-s-dress

Cushion Cover circa 1575-1600 at https://www.artic.edu/artworks/53177/cushion-cover-made-from-woman-s-dress


Thursday, October 24, 2019

Easiest Blackwork Embroidery Pattern found in a Historical Painting

I think this is the easiest blackwork embroidery pattern that I have found in a historical painting!
If you look around the neckline, the embroidery is a simple straight dashed line.

 Image result for portrait of a lady as st lucy


Portrait of a Lady as Saint Lucy, painted by Giovanni Antonio Boltraffio circa 1509
Available at the Thyssen Bornemisza Museo Nacional in Madrid, Spain
https://www.museothyssen.org/en/collection/artists/boltraffio-giovanni-antonio/portrait-lady-saint-lucy

Blackwork Embroidered Shirt


Check out this blackwork embroidered shirt at the Museo del Tessuto in Prato, Italy!





http://realmofvenus.renaissanceitaly.net/workbox/extmencam1.htm

Wednesday, October 23, 2019

Patterns from an Italian Linen Cloth circa 16th Century

Below is an embroidered Italian linen cloth circa late 16th century in the Museo del Tessuto (museum) in Prato, Italy. It can also be found here.



Below are my interpretations of the patterns found on the above sampler.




The Reverse Side of Schoolgirl Samplers 1723-1868

The Fitzwilliam Museum has provided pictures of the front and back sides of schoolgirl samplers! It is amazing how neat and reversible these are.

For Mary Derow's sampler dated 1723 (shown below), please visit https://www.fitzmuseum.cam.ac.uk/gallery/samplers/schoolgirl/derow/index.html

        





Mary Culley's sampler dated 1790 can be found here:
https://www.fitzmuseum.cam.ac.uk/gallery/samplers/schoolgirl/culley/index.html

Mary Tipper's sampler dated 1868 can be found here:
https://www.fitzmuseum.cam.ac.uk/gallery/samplers/schoolgirl/tipper/index.html

There are more samplers available to view on the Fitzwilliam Museum website.

Blackwork Embroidery Patterns from 16th Century Italian Sampler

The 16th century Italian sampler is at the Victoria & Albert Museum in London. Please follow this link to view the sampler: http://collections.vam.ac.uk/item/O70028/sampler-unknown/

Here is an up close view of the bottom left of the sampler:



Here are my interpretations of some of the patterns available on the sampler above.





Did Blackwork Embroidery Exist in Egypt during the Renaissance?


Below is an up-close picture of part of the Egyptian sampler dated from circa 14th-16th century that is displayed in the Victoria & Albert Museum in London. To view the whole sampler, please visit http://collections.vam.ac.uk/item/O69669/sampler-unknown/



The first wife of Henry VIII of England, Catherine of Aragon, helped to make blackwork embroidery popular in England. Prior to her marriage, she was born and raised in Spain. Until the late 15th century, Spain had been under Moorish rule when Catherine’s parents, Ferdinand and Isabella, evicted the Moors. However, the Moors had left behind their geometrical designs, which included the embroidery that later became known as blackwork.

Knowing of the influence that the Moors had left on Spain, I went in search of other countries that they may have influenced during this time period. This is how I came across this sampler.

Today I decided to recreate my interpretation of what looks like a cat wearing a crown on this sampler. Some of the threads are visibly missing. However, thanks to how blackwork works, we can essentially connect the dots to recreate the original pattern. After recreating the original pattern, I decided that I wanted to change it a bit to give it more of a cat-like body. This is for my own personal preference. Please feel free to follow the original pattern if you would prefer to be more historically accurate in your embroidery.


The Back Side of Your Blackwork Embroidery

Check out this link for more information on the back side of blackwork embroidery: https://www.needlenthread.com/2010/05/dark-side-embroidery-back.html

Tuesday, October 22, 2019

More Information on Blackwork Embroidery

Here is an informative blackwork embroidery booklet by Genoveva von Lubeck: http://honorbeforevictory.com/wp-content/uploads/2012/02/Blackwork-Embroidery-Booklet-v2.pdf

Here is an article on the opinions, tips, and perspectives for the backside of your embroidery: https://www.needlenthread.com/2017/05/embroidery-on-the-backside-perspective-opinions-and-tips.html

Here is a neat embroidery pattern on a coif: https://collections.vam.ac.uk/item/O364617/womens-coif-unknown/

For anyone interested in doing freehand blackwork embroidery, check out this link. This is informative for showing different stitches, such as blanket, chain, and stem. http://sidneyeileen.com/artisan-works/embroidery-articles-and-tutorials/basics-of-elizabethan-freehand-blackwork-embroidery/#.Xa9hUWZ7kdU

Here's a webpage to help describe using backstitch to secure your thread's tail. https://sewingempire.wordpress.com/tag/blackwork/

While checking out various websites, take a look at this one:  https://www.semanticscholar.org/paper/The-Graph-Theory-of-Blackwork-Embroidery-Holden/c9502615f49a61b62170277a5a0fc1b8f73f5fb9

Friday, October 18, 2019

Finishing the Ends of Your Threads

Previously, I have been asked how do I finish the ends of the threads on my blackwork embroidery. I have not had the opportunity to look at the backside of a blackwork example in a history museum. So, I do not know what was historically accurate. This is not a topic that I have found online for documentation.

Based on my personal experience, I prefer to weave the ends of the threads into the blackwork pattern. By weaving, the pattern can look more complete and reversible on the backside, whereas knotting the ends leaves a blank space between to end points on the backside.

 (The backside of today's experiment)

When I first began doing blackwork embroidery, I used Gutermann silk thread. On the linen fabric, I would count every third hole for a stitch. This created a small and thin, but tight pattern when embroidering, which made the tail ends easy to weave into the thread on the backside.


 (Above is Gutermann silk thread on a boy's shirt, used for SCA youth combat)

Over the years, I have found that I prefer the twisted silk thread (soie perlee) for a variety of reasons, including that it creates a much bolder look with the embroidery. However, while using the twisted silk thread, I have been counting every fifth hole on the linen fabric to create larger patterns. By counting every fifth hole with this thread, the embroidery risks being slightly more loose when weaving the tail ends on to the backside.

 (Above is untwisted silk thread: soie ovale)

For today's experiment, I created a simple sample using both the Gutermann and the twisted black silk threads. For one set, I knotted the ends. For the other set, I wove the ends into the pattern on the backside. I found that the starting knot on the Gutermann silk thread had to have a very large knot and was still easily capable of pulling through the fabric. This in turn could cause your embroidery pattern to unravel. The knot for the twisted silk thread was much easier to make large and did not pull through the linen as easily.

As I embroider clothes to be worn (including for my active children), I prefer to make something that will withstand the conditions of a washing machine. After briefly embroidering the sample, I put it into the washing machine to test out if any of the threads would unravel or bleed. I washed the sample on the hand wash cycle in cold water. Here is a video of the experiment.

After the sample survived the washing machine, I was surprised to find that none of the threads had unraveled. Prior to putting the sample into the washing machine, I had my hesitations in regard to the Gutermann thread, since the knot could easily be pulled through the linen. Also, none of the threads bled. After the sample came out of the washing machine, I laid it out flat to air dry.

 

Monday, October 14, 2019

More Blackwork Embroidery Patterns Based on Historical Patterns






Below is a blackwork embroidery pattern inspired by the portrait of Lady Margaret (Bacon) Butts, circa 1541-1543, painted by Hans Holbein the Younger.




The portrait is at the Isabella Stewart Gardner Museum in Boston, MA and can be found here.


Image result for portrait of lady margaret butts
http://www.tudorsdynasty.com/hans-holbein-the-younger-sketches/

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Below is a pattern inspired by the gable hood on Margaret Roper, painted copy by Rowland Lockey circa 1593 after the original painted by Hans Holbein the Younger.




Margaret Roper's portrait is at the Brooklyn Museum in Brooklyn, NY and can be found here.



Portrait of Margaret Roper, from a 1593 reproduction of a now-lost Hans Holbein portrait of all of the women of Thomas More's family.
 https://en.wikipedia.org/wiki/Margaret_Roper


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Below is a blackwork embroidery pattern inspired by the neckline of Elizabeth Grey, Lady Audley painted by Hans Holbein the Younger circa 1538.





 Here is an enhanced picture of Elizabeth's neckline:




 Elizabeth's miniature is found with the Royal Collection Trust here.

Friday, October 11, 2019

More Examples of Blackwork Embroidery in Historic Portraits

The portraits below have examples of blackwork embroidery on their collars. These paintings are found at the Kunst History Museum in Vienna, Austria.



A Royal Servant for King Henry VIII painted by Hans Holbein in 1534. Found online at https://www.khm.at/objektdb/detail/964/?offset=1&lv=list




A merchant from Duisburg, Dirck Tybis painted by Hans Holbein in 1533. Found online at  https://www.khm.at/objektdb/detail/963/?offset=5&lv=list





Portrait of a Young Merchant, by Hans Holbein the Younger (1498-1543).

Portrait of a Young Merchant painted by Hans Holbein in 1541. Found online at https://www.khm.at/objektdb/detail/968/?offset=6&lv=list

Historic Blackwork Embroidery Patterns

Below is my interpretation of the blackwork embroidery pattern found on the Blackwork Fragment at the Museum of Fine Arts in Boston.





The above pattern is based off of the bug-like creatures found on the Blackwork Fragment at the Museum of Fine Arts in Boston, which can be found here.











The above patterns are my interpretation of part of the pattern found on the collar of a shirt at the V&A Museum, circa 1540. This shirt can be found here.








The above patterns are simple interpretations of patterns found on the upper right corner of a German sampler made in 1618 by Lucke Boten. The sampler is at the V&A Museum and can be found online here

Thursday, October 3, 2019

More Blackwork Embroidery Examples in Paintings


Here is a painting called Portrait of Antea circa 1535 in the Museo Nazionale di Capodimonte, Naples. Look at her cuffs and apron!

 

https://www.wga.hu/html_m/p/parmigia/1/antea.html




Here is another painting with blackwork embroidery visible:



Portrait of a Reniassance noblewoman holding a weasel with particularly vicious-looking teeth

Portrait of a lady (1520-25) by Bernardino Luini. National Gallery of Art, Washington.

 https://www.nga.gov/collection/art-object-page.44.html







Image result for portrait of a lady from cromwell family

Portait of a Lady, probably a Member of the Cromwell Family, by Hans Holbein the Younger (circa 1535-1540) located at the Toledo Museum of Art

http://emuseum.toledomuseum.org/objects/55183/portrait-of-a-lady-probably-a-member-of-the-cromwell-family?ctx=18d67b3a-7002-432f-ae7c-aa315296d6b9&idx=81






Panel of Blackwork at the Metropolitan Museum of Art (circa 1580-1620)

https://www.metmuseum.org/art/collection/search/223032